Well, while I continue to leave this site abandoned, might as well follow through with a link to me book! It has glue and pages and everything.
https://www.randomlanepress.com/
...the junk drawer of my mind... look if you want. you might find dreams scraps (maybe featuring you?), poem scraps, ideas unformed or abandoned, dried out sharpie pens, 37 cent stamps, lies and red-herrings, lip-gloss and assorted dangling and/or misplaced modifiers.
Wednesday, October 17, 2018
Monday, April 30, 2018
oh well ... and in other news .
Well, I failed at the Poem-a-Day Poetry Month challenge (um.. again), but today I am sending out two manuscripts, a third collaborative venture is being typeset by an actual press!, a fourth photo/poem book I'll self-publish, I think.
These guys have been bumping around, largely, but not fully formed for a while. It's time for them to get dressed, move out and get a job!
~ Good luck out there, Kids! It's graduation day!
maybe I'll catch up with the PAD later..
Saturday, April 14, 2018
Day 14 Report
For today’s prompt, write a report poem. I know, I know: Writing a report sounds about as far away from poetry as flying is to a penguin, but many poems report on a moment or an instance or a scene. In your poem (or poems) today, report on something big and...
Report
Report
I’m telling the truth when I say
that he’s lying
and she’s lying
and they are lying
all the women are lying
all of them
the committee is lying
the bureau is lying the press
… well …
that he’s lying
and she’s lying
and they are lying
all the women are lying
all of them
the committee is lying
the bureau is lying the press
… well …
sad
and they want her to lie and
they want him to lie and they hired
them to lie
– they paid them a lot, folks –
and they are lying
in front of a camera
they even lie about their lying like liars do
and it gets spun
crisis actors are at every scene
it’s all rigged, folks
they want him to lie and they hired
them to lie
– they paid them a lot, folks –
and they are lying
in front of a camera
they even lie about their lying like liars do
and it gets spun
crisis actors are at every scene
it’s all rigged, folks
all you need to believe
is that nothing can be believed
you’re sea-tossed, a bit nauseous
sorting the fake from the false from the suspicious
water from air
gulping it in
of course, you’re nauseous, choking,
sea-tossed, compass-spun
is that nothing can be believed
you’re sea-tossed, a bit nauseous
sorting the fake from the false from the suspicious
water from air
gulping it in
of course, you’re nauseous, choking,
sea-tossed, compass-spun
– don’t you need a north star?
They confront me
to confront me is to lie and if what is
said is tough is a question is true
maybe
it is a lie
to confront me is to lie and if what is
said is tough is a question is true
maybe
it is a lie
that’s the truth
Perfection needs no judgment.
Power needs no permission.
What you really want is a strong man.
When I look in the mirror, I see gold.
Always have
I am my own man
I am telling the truth when I
say I am faithful, I am a Christian,
I care
Perfection needs no judgment.
Power needs no permission.
What you really want is a strong man.
When I look in the mirror, I see gold.
Always have
I am my own man
I am telling the truth when I
say I am faithful, I am a Christian,
I care
It is clear how much I care.
For whom is also clear.
I am the only star in the sky.
Sunday, April 8, 2018
PAD 8 - family
For today’s prompt, write a family poem. Good, bad, big, small, adopted, imaginary, nonexistent–everyone has to deal with family (even if that involves running from it or chasing it down). I have a feeling today’s prompt is going to stir up some really good poems.
I wasn't even quite with them exactly
I was in a room above, leaning out a window,
looking down on the slate patio
where she was, when she was - sister
and she was, as ever - mother
both standing, talking
and I was there - leaning out, above - little sister
yet it wasn't until he opened the door
and walked near them
and stood, talking - brother
with us
all of us there
the four legs of the table
the four corners of the earth
a power there manifest
in that single moment
so I could witness the constellation
and remember
the perfect truth of it
water
fire
air
earth
family
PAD7 - senses
For today’s prompt, write a senses poem. That is, write a poem that uses one or more of your senses. Smell, taste, touch, sound, sight, or even a sixth sense. Focus in on one of them or try to incorporate them all.
*****
Begin by not moving
Because moving is a hive
- all senses in play, and the room and the air and your youth (when was that?) and your day yesterday and intention to and failure to and a joy, - what?
no
stop
close your eyes.
.attend.
there is a new, not new really, ringing in the ears
like you are underwater
you can hear the dolphins calling out in the shallows of Nova Scotia
there is that
there is the bright light of the screen
filling your awareness when you close your eyes
like the platonic idea of screen
the zeitgeist of the illuminations made possible by the digital age
there within your mind
why am I up so early
in that brightness
I see nothing,
I hear the highest pitch wavelength
illuminated
and then feel my fingers
on the keyboard
what is that temperature below them?
it is perfection
the keys feel like a lover's skin
but not enough to make my mind wander
how ready I am
for inspiration
for an idea
It is five-thirty in the morning
I am here
open open
and I still have no sense
what my novel should be about
Because moving is a hive
- all senses in play, and the room and the air and your youth (when was that?) and your day yesterday and intention to and failure to and a joy, - what?
no
stop
close your eyes.
.attend.
there is a new, not new really, ringing in the ears
like you are underwater
you can hear the dolphins calling out in the shallows of Nova Scotia
there is that
there is the bright light of the screen
filling your awareness when you close your eyes
like the platonic idea of screen
the zeitgeist of the illuminations made possible by the digital age
there within your mind
why am I up so early
in that brightness
I see nothing,
I hear the highest pitch wavelength
illuminated
and then feel my fingers
on the keyboard
what is that temperature below them?
it is perfection
the keys feel like a lover's skin
but not enough to make my mind wander
how ready I am
for inspiration
for an idea
It is five-thirty in the morning
I am here
open open
and I still have no sense
what my novel should be about
PAD 6 - chocolat
For today’s prompt, write a family poem. Good, bad, big, small, adopted, imaginary, nonexistent–everyone has to deal with family (even if that involves running from it or chasing it down). I have a feeling today’s prompt is going to stir up some really good poems.
My favorite food fact
- that I find important to continue to check -
is that chocolate
melts
at 98.6 degrees
I knew we had the perfect relationship
I knew we had the perfect relationship
That there is no point in looking further
I put you in my mouth
and we both melt
together
on the spot
well. I looked it up and it's not quite true
and I can't find the Chocolate University in South America somewhere
that a good-looking friend of a friend, Pierre the Chocolatier -
graduated from with facts like that (and
just one or two pounds) under his belt.
No matter.
No matter.
I know what I want and why.
I put you in my mouth
and we both melt
together
I can't help but close my eyes
Friday, April 6, 2018
ah geez - already behind PAD 5 - crow
For today’s prompt, write an intelligence poem. Of course, intelligence is subjective. What is common sense for one person makes no sense to another. But intelligence is more than IQ and test scores. There’s artificial intelligence, intelligent animals, and military intel. And I’ve found that many poets have a special intelligence of their own.
*****
Castro Way
When the crow flew fast into our window
and then caught his flash-black wing in the snare of the privet bush
the street organized
One felt a criss-cross of them
- a Jacob's ladder -
a treetop mesh of crows
a scaffolding of response, locking down the area
Before we could try to help the bird
wing damaged - the beauty unsavable, probably,
another crow flew in hard and bumped him to the grass
and the broken bird tried
to fly and could
for ten feet
before tipping sideways and flapping
desperately to right himself
and the grid above advanced ten feet
their calls - organized - intent
diagonally - sent and received and confirmed
the bird tried to fly again
for another bit
and the community moved forward
in a flank and into position
two down near on each side of the street
hopping ahead with his advance
- guards
we don't know if he made it
probably not
If he did or he didn't
he was looked after
those that cared did all they could
PAD 4 - Nancy Drew
For today’s prompt, take the phrase “Case (blank);” replace the blank with a word or phrase; make the new phrase the title of your poem; and then, write your poem. Possible titles include: “Case of Water,” “Case in Point,” “Case Study,” and “Case of the Missing Person.”
Who did what?
The Case of the Winding Staircase
The Case of the Red Shoe
The Case of the Flickering Candle
The Case of the Haunted Room
The Case of the Old Clock
The Case of the Missing Umbrella
The Case of the Last Train
The Case of the Blanketing Fog
How did Nancy Drew die?
Has anyone even looked into that?
Maybe she is alive
in deep dementia
by a window somewhere
in her last week
looking down at the softening edge
of her prim lavender sweater
for clues
of who she is
who she was
of what question to ask
or what is a question
Who did what?
The Case of the Winding Staircase
The Case of the Red Shoe
The Case of the Flickering Candle
The Case of the Haunted Room
The Case of the Old Clock
The Case of the Missing Umbrella
The Case of the Last Train
The Case of the Blanketing Fog
How did Nancy Drew die?
Has anyone even looked into that?
Maybe she is alive
in deep dementia
by a window somewhere
in her last week
looking down at the softening edge
of her prim lavender sweater
for clues
of who she is
who she was
of what question to ask
or what is a question
PAD 3
- Write a stop poem.
- Write a don’t stop poem.
The truth is - I can't stop.
Is that the truth of it?
I choose not to stop.
I choose not to.
I say I will.
I don't.
Then I do.
I do!
But not forever.
I choose to think it's okay.
I choose to think no one is getting hurt.
The truth is - I'm lying.
The truth is - I chose to not stop.
The truth is - I will choose that again.
The truth is - I look forward to it
to embracing my weakness
and its reward.
Monday, April 2, 2018
PAD 2 - Portrait
For today’s prompt, write a portrait poem. You can use an actual portrait to write an ekphrastic poem. Or think up an image from real life. Or fake life. Or don’t be so literal; instead of writing a poem that describes a portrait, use the poem to frame a moment or lifestyle or whatever. By the way, how many times did I type “or” in this paragraph?
Rembrandt as a Young Man
It's not that I want someone to notice me
lingering so long
leaning in
like I am in love
not with him
but with this moment
this room
this needing to lean in.
I need to lean in.
His curls are dark, largely, on the top and on the side
and in the deeper tufts
with the simplest lines, curled,
all colors, loose, simple, careless semi-circles, blue, viridian, cadmium,
sap green, ochre, burnt orange, where they almost catch on fire and then they vanish
there, near his eyes - burnt umber
in an umber field, the umber of the edge of him
pulsing
against some seafoam green
luminous making me a bit dizzy
and self-aware
- aware of looking
aware of my warm breathing and some light
cool on the back on my neck
so young
The top of his face
is in shadow
An odd shape of shadow
hides his eyes
- What is a portrait with such dimmed eyes?
I can't even see him.
It is like a bird has flown over him
or perhaps he enters a room, nearly,
or is in thought or in a place
- this is it -
in which he himself
in unaware
of the light
though he could feel it - not quite consciously -
emanate from the side of his cheek,
the round bridge of his nose
What is happening?
Someone enters the gallery
- a guard - and I pull back
and adjust the straps on my purse
or look at the next painting
and when she moves on
I am back
leaning in
there where his check is so oddly lit
colored from the blood within
that is alive
- young blood, fresh,
and the darkened shape above
the eyes in darkness the hair
curled in, eclipsing
the old man we would come to know
so well
there
implied - not quite consciously -
No one is in the gallery
but me
and this young man
older boy
old man to be but later, later
in this moment
as it is a moment
he simply is
- is breathing between layers of value and glaze -
and I can see him
and then it happens
I see more
the dark is not so dark now
the shadow has changed only in MY eyes
it becomes cooler and soft
and out of that new field
he now looks at me
directly
he looks at me kindly
it is a benediction
it is a gaze across time
only the light
kept, held, dancing in the molecular layers of wash
could come to me this way
in the physical self of a painting
adjusting for the living eye
lean in
stay
and keep looking
keep looking
be a painter
live in phenomena
witness
the glory of color,
the humility of looking,
the physics of opening,
the triumph of sight
sight - that faculty of receiving and giving
in the exact same moment
dialogue of light
across centuries
as delicate as the last days
of youth
there!
lesson from a master
Rembrandt as a Young Man
It's not that I want someone to notice me
lingering so long
leaning in
like I am in love
not with him
but with this moment
this room
this needing to lean in.
I need to lean in.
His curls are dark, largely, on the top and on the side
and in the deeper tufts
with the simplest lines, curled,
all colors, loose, simple, careless semi-circles, blue, viridian, cadmium,
sap green, ochre, burnt orange, where they almost catch on fire and then they vanish
there, near his eyes - burnt umber
in an umber field, the umber of the edge of him
pulsing
against some seafoam green
luminous making me a bit dizzy
and self-aware
- aware of looking
aware of my warm breathing and some light
cool on the back on my neck
so young
The top of his face
is in shadow
An odd shape of shadow
hides his eyes
- What is a portrait with such dimmed eyes?
I can't even see him.
It is like a bird has flown over him
or perhaps he enters a room, nearly,
or is in thought or in a place
- this is it -
in which he himself
in unaware
of the light
though he could feel it - not quite consciously -
emanate from the side of his cheek,
the round bridge of his nose
What is happening?
Someone enters the gallery
- a guard - and I pull back
and adjust the straps on my purse
or look at the next painting
and when she moves on
I am back
leaning in
there where his check is so oddly lit
colored from the blood within
that is alive
- young blood, fresh,
and the darkened shape above
the eyes in darkness the hair
curled in, eclipsing
the old man we would come to know
so well
there
implied - not quite consciously -
No one is in the gallery
but me
and this young man
older boy
old man to be but later, later
in this moment
as it is a moment
he simply is
- is breathing between layers of value and glaze -
and I can see him
and then it happens
I see more
the dark is not so dark now
the shadow has changed only in MY eyes
it becomes cooler and soft
and out of that new field
he now looks at me
directly
he looks at me kindly
it is a benediction
it is a gaze across time
only the light
kept, held, dancing in the molecular layers of wash
could come to me this way
in the physical self of a painting
adjusting for the living eye
lean in
stay
and keep looking
keep looking
be a painter
live in phenomena
witness
the glory of color,
the humility of looking,
the physics of opening,
the triumph of sight
sight - that faculty of receiving and giving
in the exact same moment
dialogue of light
across centuries
as delicate as the last days
of youth
there!
lesson from a master
Sunday, April 1, 2018
PAD 2018 - 1 ... Trying again. Last time I made it to ....1
For today’s prompt, write a secret poem. This poem can reveal a secret, incorporate a secret activity, or involve any other secret interpretation. Poem written in code (acrostic, anyone?) or with double meanings.
It is tempting to think
someone will find your words,
will have fallen in love with your spirit,
your soul,
will want to know the essential you of you
wordless self
bodiless self
mindful self
will not be looking
only for some proof that you
would love yourself
with the image of their eyes behind your eyes
- I can see you -
the vowels of their name
escaping on that high breath
but they will love both parts of your beautiful brain
will know you
will know that
you know
that they know you, somehow,
touching you, like light on moss,
that that is all the love there will be there
so it has to be enough
as day turns very slowly
to night
It is tempting to think
someone will find your words,
will have fallen in love with your spirit,
your soul,
will want to know the essential you of you
wordless self
bodiless self
mindful self
will not be looking
only for some proof that you
would love yourself
with the image of their eyes behind your eyes
- I can see you -
the vowels of their name
escaping on that high breath
but they will love both parts of your beautiful brain
will know you
will know that
you know
that they know you, somehow,
touching you, like light on moss,
that that is all the love there will be there
so it has to be enough
as day turns very slowly
to night
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